2025 has been a big year in the media – and we're not the only ones in the thick of trying to make sense of it all. We asked fellow top brains and experts on what's stood out in their coverage this year and what lessons news professionals can take into 2026.


Madeleine White, The Audiencers: 'Value trumped volume'

My favourite piece from 2025:

The article that sums up a lot of my favourite conversations is this one on a revised framework for 2026.

Where publishers should be heading in 2026: the HERO framework | Audiencers
How can publishers find our way back to being audience-centric in order to (amongst other things) win against AI?


What this says about digital journalism heading into 2026:

There's an essential shift needed in journalism from volume to value. Instead of a relationship with audiences that's driven by the search for growth, the relationship should be about purposeful engagement, with a focus on outcomes & long-term impact. 

Concretely, this means redefining "how we've always done things". In particular, reimagining the traditional marketing funnel:

  • Put your most valuable audiences first: Use this information to inform the rest of the funnel and create acquisition strategies that work to find more of them.
  • Build out the happy middle: using the HERO (habits, engagement, relationships, ownership) model
  • With a new framework comes new metrics: à la Heiko Scherer's KPIs for belonging – not reach

One space I'll be watching next year:

For this all to succeed, community-building needs to become part of editorial work. Whether it's running reader-led journalism like The Times, moving to a user-needs model or ensuring the form of articles follows function


Simon Owens, independent: 'Evergreen content stopped the daily grind'

My favourite piece from 2025: 

A long-form profile of Nicholas Carlson, the long-time editor of Business Insider who left that publication last year to launch a startup called Dynamo.

Rather than hosting content on its own website, Dynamo is 100 per cent focused on creating high-quality, evergreen video content that's distributed on platforms like YouTube, Linkedin, Instagram, and TikTok.

Why Business Insider’s former editor went all in on evergreen video
With Dynamo, Nicholas Carlson is building a library of prestige content designed to appreciate in value over time.

What this says about digital journalism heading into 2026: 

1. The major tech platforms are becoming less and less interested in sending traffic to publisher websites. While some publishers have responded by doubling down on their own websites, outlets like Dynamo have adopted the if-you-can't-beat-them-join-them approach of distributing content natively on the platforms. Its longterm bet is that the increased reach will more than make up for the fact that these outlets are at the complete mercy of platform algorithms over which they have no control.

2. Carlson only raised $3.5 million for the startup and is obsessed with the unit economics of each piece of content. Gone are the ZIRP (zero interest-rate policy) days when publishers could just burn through mountains of VC cash to fund their expansion. Outlets today need to make sure every piece of content is profitable.

3. Carlson isn't bothering with day-to-day news coverage and is instead only investing in evergreen videos. Publishers still waste way too many resources covering the exact same news that every other outlet is covering, and this means most of their content becomes worthless within hours of publication.

One space I'll be watching next year:

I'm usually an optimist when it comes to media, but unfortunately I have a lot of anxiety about a coming recession, especially if the AI bubble pops soon.

Media is the least recession-proof industry in existence, and as a struggling media entrepreneur myself I'm worried that my business will get even harder than it already is. 


Esther Kezia Thorpe, Media Voices/Flashes & Flames: 'Youth engagement got creative'

Esther Kezia Thorpe speaking at Newsrewired on 15 November 2023. Credit: Marten Publishing / Mark Hakansson