Global podcast

Three years ago, podcasts at commercial broadcaster Global were treated as an afterthought, according to head of factual podcasts, Al Riddell. But that has all changed.

Today, Global produces 50 in-house podcasts, famously attracting high-profile BBC talent like Emily Maitlis and Jon Sopel for its flagship show The News Agents, which last year hit the 100m downloads milestone.

Its podcast operation runs on an in-house proprietary hosting system called Captivate, which provides more granular dashboard analytics - a common podcasting pain point.

Riddell makes a bold claim in an online event with Broadcast Revolution. The News Agents episodes regularly achieve a 125 per cent completion rate - meaning people have finished the episode, and then go back in for a second listen.

Its portfolio is comprised of other superstars (James O'Brien's Full Disclosure), niche community shows (You're Wrong About ADHD with Katie Breathwick and Sam Pittis), documentary series (Vine: Six Seconds That Changed The World) and shows in quick response to the news cycle (The Crime Agents with journalist Andy Hughes and former Met counterterrorism official Neil Basu).

It is now eyeing up US expansion with a lot of promise. Global signed world-renowned journalist Christiane Amanpour and her ex-husband Jamie Rubin (a former US diplomat) last year, and their show The Ex-Files already draws 60 per cent of US listeners.

This content-first international approach allows Global to test the US audience's appetite without significant investment, relying more on existing talent relationships and production capabilities.

Global's jump from radio broadcaster to 50-podcast operation signals a broader trend: media companies that can move audiences between different formats - radio to podcast to video - are winning against those that stick to just one. The future may belong to companies that treat content as a connected system rather than isolated shows.


We used Claude AI to help draft this article before it was edited by a human

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